The Nubian arch served as a metaphor for the gateway to consciousness. It also functioned as a physical structure within the ancient African urban landscape, advocating for the Drama Within, where sexual freedom and play were the primary behaviors in defining family and social structure.
The arch’s meaning was intentionally cryptic, designed to conceal its true significance and permit multiple interpretations, leaving observers uncertain. For participants in these mysteries, the arch symbolized a shared conviction that their gathering could unite individuals who advanced human destiny. The arch carried a succinct message: Omne vivum ex ovo — “Let the egg decide.”
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The Colorful Prince narrative revitalizes and modernizes this concept, situating it within a context shaped by individuals who practice what Frederick Engels identified as a remedy for capitalism. In 1884, Engels referred to this 'magic bullet' as sex love.
A form of love unsanctioned and non-monogamous, which allows the egg to choose, challenges the preservation of private property and inheritance systems that underpin male supremacy and capitalism.
The narrative is not new. It was practiced before monogamy and male supremacy became the norm. Yet in this cycle, the focus is on enabling the egg to make the selection as a conscious evolutionary strategy.
Predictably, Engels’ assertions have been overlooked by both capitalists and non-capitalists. Advocates of State power and capital accumulation have either obscured his concept of sex, love, through misinformation and propaganda, or disregarded it entirely.