Inside-looking-out
The older piece initially appears baffling. Upon reflection, I realize it serves as an inside-looking-out metaphor—a gestalt that mirrors the sense of structural confinement experienced by faculty, students, and administration regarding the educational system symbolized by the old building slated for demolition.
https://commons.wikimedia.org/wiki/File:Caro_DreamCity_1996.jpg
https://en.wikipedia.org/wiki/File:HenryMoore_RecliningFigure_1951.jpg
A similar concept emerges in Professor Voulkos's work, where the presence or absence of enclosure is central to his exploration of boundaries between interior and exterior spaces.
His approach to gestalt challenged the notion of separateness by puncturing his works, thereby integrating interior and exterior elements. These concepts resonate with Henry Moore's practices and align with the ideas of the Dadaists and Kurt Schwitters. Motivated by this revelation and a desire to preserve campus history, I relocated the old piece to a more engaging site on campus.
With this realization came another. Following this reasoning, the cycle completes with discovering Naum Gabo's kinetic art. Meaningful coincidence surfaces the gift Pele exposed on the lava fields.
Gabo's Standing Wave (1919-20) oscillates a single wire with the correct vibration to create a standing wave, giving the illusion of an elegant vase.
In retrospect, Pele imparted a comparable understanding of reality through her dance during the rewilding event. Kinetic energy waves serve as the foundational force, generating the perceptual illusion of materiality and time.
Multiple perspectives can lead to this conclusion. Nevertheless, Gabo's illusion encapsulates the implicit significance of vibrations recognized by ancient cultures under the influence of aporphine and regarded as sacred.